Tín Chung


Xin chào, I'm Tín, a multidisciplinary designer based in Saigon who treats research and process as the foundation of every project.

To me, a designer's thinking, point of view, and working process matter more than the scale or exposure of any single project. The works selected here reflect that belief, chosen to show my process-driven approach.

For commercial work breakdowns and showcases, find me on Instagram at @ttinxx.pov.

chungbuitritin2004@gmail.com | +84 838 333 386




Selected WorkTypeYear 

Pixels of Compromise

Participatory Design

2026

Kheo Type Hay Lam Exhibition & Identity Design

 Identity

2025

RMIT 25th Anniversary Logo Competition

Identity

2024

Ngu Phuc (The Five Blessings)

Placemaking
Speculative

2025

Tourists Go Home

Typography
Campaign

2025

Gerira Architect

Identity

2024

Gom Sai Gon

Placemaking
Data Visualization

2023

Scentser

Artifact Analysis

2023

BayerCalendar

UI/UX

2024

Letterings

Archive

2024 - Now

Beyond 2D

Identity

2024


 
© 2026 TÍN

WORKNgũ Phúc (2025)TYPEPlacemaking, SpeculativeCOURSEDesign Capstone 1

Context


Ngũ Phúc (The Five Blessings) is a speculative design project rooted in the Phan Văn Trị apartment neighborhood of District 5, Ho Chi Minh City, a place I grew up resentful of after being moved there following a family rift. Months of gigamapping became permission to rediscover it, slowly noticing the Chinese Vietnamese spiritual artifacts I had walked past my whole life: altars, red envelopes, Bagua mirrors, and the Traditional Chinese inscriptions that fewer and fewer people in the neighborhood can still read.








Concept


The project speculates a 2050 in which District 5's community have lost much of its Traditional Chinese literacy, begins to systematize its spiritual landscape under the framework of Wǔfú, the Five Blessings of China: longevity, wealth, health, love of virtue, and a peaceful death. I redesigned a system of spiritual artifacts pairing Traditional Chinese inscriptions with their Hán Việt translations, each blessing tied to a point in the neighborhood, appearing only when the artifact is maintained, turning everyday care into quiet cultural preservation.

Spanning lettering, 3D modeling, illustration, photo compositing, and editorial design, the project is a personal reconciliation with a place and a heritage I once turned away from.

Process